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October December January 1. January January beafh - February 5. Opening of ghe American exhibition in Moscow: July August Negotiations between Nikita Khrushchev and D. Eisenhower in the United States: September January 9. The U.

Powers is shot down: May 1. May 4. November 1. Kennedy, related to the the anti-Castro landing in Cuba: April 8.

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The beginning of the construction of the Berlin Wall: June 1. The demonstration of Novocherkassk workers who protested the increase for food prices is dispersed by gunfire: June 2. After the start of the installation of Soviet missiles in Cuba, the US declares a sea blockade of the island.

October 14 - November December 1. March May 9. The assassination of the US President J.

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Kennedy in Dallas: November February 3. The US starts the war in Vietnam: August 2. Leonov, leaving his spacecraft for 12 minutes, becomes the first person to walk in space: April 5. March 29 - April 8. June 20 - Tikes 1. Resolution of the Central Committee of the CPSU "On measures for the further development of social sciences and enhancing their role in communist construction": The invasion of Soviet troops in Czechoslovakia: The publication of A.

Soviet "thaw" audiovisual texts on the subject of school and university, according to the authorities, were supposed to support the main lines of the then state policy in the educational and socio-cultural spheres, that is, to show that the Soviet system of education, upbringing and culture is being reformed, and namely: Genre modifications of school and university subjects: How does the knowledge of true historical flirting games at the beach movie times las vegas nv of a particular period help to understand the given media texts, examples of historical references in these media texts.

In the films Flags on the TowersBeat, the Drum! Makarenko, V. Soroka- Rosinsky, vegxs. The films Clouds over BorskMiraculousVeas Angelconsistently reflected the anti- religious state policy. The films Welcome, vehas No Trespassing! In the Soviet films of the "thaw" period, schoolchildren, of course, could be featured sitting in meetings, condemning someone for misconduct for instance, religiosity or laziness. At the same time, schoolchildren unlike their film counterparts in the s and s no longer appeared on the screen as some flirtibg of conductors of the communist tomorrow, leading the lost adults on the right track.

Filmmaking was also under censorship albeit less strict than in the s flirting games at the beach movie times las vegas nv s. Therefore the authors of the majority of audiovisual media texts on the school-university theme were to comply with these rules of the game. In читать полностью, in some films such as, Welcome, or No Trespassing!

Film viewers who anticipated to watch another innocent drama soon began to feel uncomfortable. They could not help feeling that though everything seemed to be clear and correct in the film, yet something was wrong, something was subtly annoying and makes the perception unsettled Kovalov,p. The world outlook of the characters in media texts about school In general, the worldview of the characters of audiovisual media texts on the theme of school and university during the thaw, as in the previous three decades, was optimistic, at that time the optimism was connected with the prospects of building "socialism with a human face".

Students -vivid personalities were often ridden by doubts Wild Dog Dingo, I loved you At first glance, the hierarchy of values, according to this world view, has remained the same: But there were also new colors: For example, a school teacher from the witty comedy "Literature Lesson" not only openly dislikes his randomly chosen profession, but sets himself the task of living timws at least one day Thus, it was the model of "socialism with a human face," rather than classical communist ideals, that determined the world view of the characters in the audiovisual "school world" of the thaw period.

Structure and narrative modes in media texts Schematically, the structure, plot, representativeness, ethics, genre modifications, iconography, characters of audiovisual media texts about school and university in "thaw" period can be presented as follows: It is very indicative that in Soviet films on the school topic in many cases "there is no laas space for a teenager — his room.

Most often because of its actual absence due to the poor housing situation in the country, but even when the room is there, nothing there characterizes the owner. The same reason is ebach a fashionably dressed character is almost always negative" Zharikova,p.

However, relapses, of course, are possible. For example, in the professionally helpless Boysa cheesy teacher brings to the class a model of the space satellite, thus causing a sensation in the class only consisting of diligent and perfect schoolchildren.

And in the detective story Shadows of an Old Castlea super-positive teacher who instantly finds contact with schoolchildren takes a job in an Estonian boarding school located in an ancient castle, very soon finds out that the key faculty members presented rather lfirting are former Nazis and treacherous enemies of Soviet power. Character typology: The age of the adult characters teachers, parents, grandparents, etc. The professions of their parents are in a fairly diverse range.

However, more and more often negative characters appear, the hopes for reformation of whom are not as big as they used to be. Teachers from the films of the early thaw period look similar to those in the s and s: They look more like a uniform: Classical hairdo for a female teacher is a hair bun Tatiana Sergeevna a teacher from the film Spring in the Riverside Street — A. Late thaw film teachers are no longer perceived by unambiguous symbols of the struggle for communism, they have lost an ideal halo, and more often they are in doubts, discontent with their vegxs.

Another serious, symptomatic for modern culture as a whole, a social problem, articulated by Soviet cinema, is a social gap decrease between a teacher and a student Shipulina, Negative image of school and teachers of the flirting games at the beach movie times las vegas nv regime" in the thaw period occupied a marginal place in Soviet cinema The First Bastille, A significant change in the life of media characters: The challenge that the characters face: Solving the problem: These audiovisual texts, according to the authorities, were supposed to support the main state policy in приведу ссылку educational and socio-cultural spheres, that is, to show that the Soviet system of education, upbringing and culture is being reformed: The early thaw stage was characterized привожу ссылку a romantic reliance on the pedagogical experience of the revolutionary Soviet pedagogy of the s and the creation of touching lyrical stories, where, despite minor difficulties, the harmony of good teachers and, at на этой странице, stumbling but in the end, good students, won.

During the second stage of the thaw, new tendencies were manifested increasingly frequent: About twenty years ago the teacher on the screen was a wise role model, a fair mentor. But in the movie Cross the Thresholda high school student with advanced mathematical abilities, not in the least afraid of the wrathful reaction of the teacher, flirting games at the beach movie times las vegas nv declares: I hope to hames a better use for my abilities You had not thought that you would end up in school, I hope that I manage flirting games at the beach movie times las vegas nv avoid such a fate".

Thus, flirting games at the beach movie times las vegas nv Literature Lessonthat was "shelved", i. Taratorkin did not hesitate to admit that he entered a pedagogical university because of the fear of vegzs more по ссылке examinations at technical university.

An English teacher, performed by M. Bulgakova looked old-fashioned, deliberately communistically engaged elderly idealist, with fragile health damaged by stressful work. He has a small two room flat, an aging wife, a chronic time trouble and a face of the man who forgot when he had last looked at himself in the mirror Arcus, Such a teacher, certainly, movoe not make the young audience willing to flirting games at the beach movie times las vegas nv up the burden of the pedagogical profession.

In the brilliant performance of Oleg Borisov, the audience saw a person who has already denied himself the right to ,ovie.

A man who no longer charges life, time, or people — he перейти hopes to pay his dues. He does not feel flirting games at the beach movie times las vegas nv a hero, he fulfills his duties. This is a quiet standing of the intellectual in the face of a deceitful era Arcus, The principal is bitterly questioned by his own son: Look at yourself, what are you?

And then, with sarcasm, she adds: It seems that the authors of the drama The Follower were going to argue with such a pessimistic stance, making a film about the high destiny of the teacher, the noble beauty of his work, the continuity of the pedagogical occupation. Another variation of the return of the prodigal son is played on the screen. There is something about the story of temptation and return for lots of filmmakers. Perhaps, because it allows to show a person at the turning points of life, to look deeper and more closely into his character.

In The Follower at first it seems that the traditional plot scheme will be filled with deep meaning.

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There is neither an odd one out scene, nor an accidental detail, everything is carefully thought out - from the texture of the interiors to the costumes of the characters. If a small orphan Valya in the severe post-war years steals a pen from an old teacher Rusov, then a passing truck, by will of fate, will necessarily bring the boy to that wooden house from which he has just escaped.

If an old Rusov adopts Valya, Rusov, Jr. Even an occasional meeting with a chauffeur has not been spared. In about twenty years, in some incomprehensible way, he will find Valentin Rusov in the ministerial office and ask him to перейти на источник a house in a remote town of Kandaurovka.

This deliberate, circular plot sometimes loses the breath of по этому сообщению life.

The purity and nobility of the conception are not implemented to the fullest — neither in drama, which suffers from schematism and straightforward motivations, nor in the film direction that attempts to translate the plot in a poetic vein.

Alas, the poetics of the movie is based on banal symbols and trite metaphors, like a damaged model set of a rural school that is gathering dust on the balcony of the luxuriously furnished apartment of the protagonist during his career peak. Kalnysh is constrained, unemotional in the role of Valentin Rusov. We cannot sense the inspiration of the flirting games at the beach movie times las vegas nv talent, which is so often declared in verbal form. Whenever the actor tries to play emotional generosity, it turns out pretentious falsity, as in the scene where Valentin, who for the first time after a long separation, met his beloved woman, eagerly invites his best student Vanechka to enter the room at ссылка на подробности moment, frankly speaking, not suitable for onlookers.

Even such https://windre.gitlab.io/gifs/flirting-with-disaster-full-cast-pictures-hd-download-5023.html talented master, as Nikolai Grinko, was powerless to overcome the commonplace didactics of his character, the old Rusov. However, in the film opening shots, peering at his wise and flirting games at the beach movie times las vegas nv eyes, one believes that such a person is able to teach goodness and kindness.

But as soon as N. Moreover, after viewing the film, its title raises a different, unplanned by the authors connotation - replication, unwillingness to go further, to introduce something intimate. A pragmatic schoolboy here is completely hardened, walks with a pompous gait, has imperious habits, rules the class.

flirting games at the beach movie times las vegas nv

He is terrible in anger. The pejorative monologue that he refers to the honorable teacher on the day of her jubilee the zero result of life, no one needs you now, the old shoe, etc. In the same years, some school films featured talented teachers in full harmony with equally bright students. Of course, by this time the school theme in the Soviet cinema has undergone significant changes. In Problem Child Certificate of Maturity, the "healthy class" unanimously cleared of individuality an extraordinary but too proud and independent tenth-grader.

Their authors unequivocally made it clear that though it happens rather seldom, no school is immune from the presence of outstanding besch. These wunderkinds appeared on the screen for the reason. First, they were an exception. And in I. The school principal matches his position: Certainly, the teachers also have academic degrees and titles. They are all cheerful, witty people. Their students catch up with them, too. While one can узнать больше how flirting games at the beach movie times las vegas nv advanced intellectual teachers from The Key That Should Not Be Handed On and The Tuning Fork managed to turn the ordinary class into an elite class, it is a different story here.

Special teachers. Special school. Special students with special problems? By no means — the problems are the same: Using the terminology of "young Einsteins", fliring guarantee of a harmonious development of an individual is the compensation by liberal arts subjects of the gravitation towards sciences.

Well, the new Literature teacher successfully copes with the task. However, something similar has happened before in the films about "ordinary" говоря, flirting signs for girls without glasses frames without наржались. In the development of the relationships and characters of the "geniuses" the film slid over the surface, not trying to create deeper images. Flirting games at the beach movie times las vegas nv it is true that young actors often "overplay" bewch.

Adults cast performed by the remarkable actors O.

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Dal, M. Terekhova, V. Nikulin, etc. One can object that Schedule For the Day after Flirting games at the beach movie times las vegas nv features an ideal school. But, it seems, even "ideal" students have many difficult problems that require non-trivial solutions.

And this "something" is, oddly enough, the falsehood. All senior students are unique: Sasha Maidanov is a rebel without a cause, a knight without fear and reproach. The third flirting games at the beach movie times las vegas nv is so educated that even now he is ready to defend his Ph.

The film was quite sharply узнать больше здесь by E. Gromov, who insisted that "one way or another, Marina Maximovna a teacher consciously and unconsciously creates a closed microcosm with her class, with limited access for only gifted, bright, intelligent pupils.

And where are those who are not https://windre.gitlab.io/gifs/flirting-signs-of-married-women-quotes-images-women-funny-1891.html talented?

Those who prefer streets to poetry? Talented teacher, focused exclusively on talented children, willing or not brings up arrogance, and she has it, too.

There is only a step away from a haughty neglect of rough, everyday work, and people who do it " Gromov,pp. Its author, Sergei Solovyev, has long been interested in the eternal themes in art: However, it does not mean that The Rescuer was far from the timely problems of the turn of the s - s.

flirting games at the beach movie times las vegas nv

Solovyev sincerely and convincingly spoke of the danger of experiencing the beauty. The idea of The Rescuer is simultaneously simple and complex. The picture as if continues and develops the message of his previous work — One Hundred Days After Childhood It is no coincidence that one of the main roles was performed by Sergei Shakurov in both films.

In One Hundred Days After Childhood he played a summer camp counselor who strove to bring the children into the bright world of the Beautiful, to elevate their souls. In fact, he succeeded. But the world of school lessons is sometimes so far from the life flirting games at the beach movie times las vegas nv us. Andrei Larikov S. Shakurov from The Rescuer is a school teacher of literature, a teacher by avocation.

Talent sowing "wisdom, good, eternal". To teach. No больше на странице But now something is wrong I tell them all sorts of things.

About the stars. About love. And then everything ends. And very different words come up He draws this sad conclusion in the conversation with his friends, that culminated the film.

There is such a person - a school graduate Asya. The relationship between Asya and her former teacher embody the main idea of the film. And I believed him very much. And then he betrayed me. For no special reason, just like that. These monologue by Asya Vedeneeva is her soul crying, the tragedy of a person disillusioned with the beloved one. There is an alternative — the "prose of life", aiming to keep up with the Joneses. As, for example, the sailor of the rescue station Vilya "Where have you seen it, this spiritual beauty?

The authors are not in haste to deliver a verdict on them: Sergei Soloviev does women with kids 2017 photos download give ready didactic solutions to the problem. Nevertheless, the moral result of the picture is convincing: Larikov understands that his efforts are worth it. If the words are confirmed by the deeds: This is, probably, a lot. A good person has a ripple effect The title The Rescuer is ambiguous.

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