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But wait a minute, Mr. Chernyshevsky already criticized his poorly developed love story tips for teens people free video the first pages of his novel. A novel on Socialism.

Revelation of Socialism in all its details: Such foreign — western newly imported ideas were invading the Russian societies, effectively targeting the Russian youth in the ss. Women, Love, Science, Ego… A fictional novel, love story, philosophical book, economic model, essay on sociology, texts on psychology, articles of criticism, and hints of atheism masterly blended in pages.

Definitely an Original Book …. An important knot in the history of the Russian literature. Thank You, Поглощая очередной талмуд Радзинского, мама не удержалась от комментария: Говорят, настольная книга революционеров. Пару недель спустя она подошла ко мне снова: Тут уж я не выдержала, н Поглощая очередной талмуд Радзинского, мама не удержалась от комментария: Тут уж я не выдержала, нашла томик в библиотеке и приготовилась прорываться сквозь дебри печатного текста, чтобы удовлетворить свое любопытство.

И каково же было мое удивление, когда я увидела гладкую прозу, которая с каждым перелистыванием только подогревала к себе интерес.

То, что очутилось в моих руках, в самом деле представляло собой описание нескольких лет жизни девушки Веры приблизительно с 18 до 28так что мама по сути своей не ошиблась. Но только по сути, недаром ведь в подзаголовке звучит мысль, что роман этот "о новых людях". А без Лопухова и Кирсанова Вера Павловна мало бы чем отличалась от большинства небогатых девушек своего времени.

Переводить же бумагу и чернила ради заурядной бытовой истории было бы делом бессмысленным. Но, к счастью для читателей, автор предпринял все необходимое, чтобы встреча этих героев состоялась. Посредством длительных бесед с одним из людей передовых взглядов запрятанные поглубже зачатки свободолюбия проросли в девушке, достигнув своего апогея, вследствие чего https://windre.gitlab.io/station/flirting-with-forty-watch-online-free-movies-without-full-3317.html ее существование резко сменило свой вектор.

Поскольку под передовыми во второй половине XIX века понимались взгляды социалистические и даже революционные, то в книге ярко проиллюстрирован соответствующий утопический образец уклада семейной жизни, взаимоотношений между супругами, организации досуга, ведения дел на предприятии, а также роли женщины в обществе. Как писал в своей статье П.

Следить, как ловко ему это удается, - само по себе уже невероятно увлекательно. Но имеется по этой ссылке запасе и вишенка на торте.

Николай Чернышевский был высокообразованным, начитанным человеком, отчего слог его и проводимый им психологический анализ каждого действа притягивают к себе магнитом. Книга дышит нравственными идеалами, она пропитана разумными дискуссиями, внутренними монологами героев, их любовью к жизни.

И что для меня самое, наверно, важное — в романе нет философствования ради философствования, люди через общение приходят к каким-то умозаключениям и начинают действовать. Обогащающее и мотивирующее чтение, 10 из It is very natural, however. An antediluvian world can have only an antediluvian population. This love story about the Nihilist counterculture in s Russia attacks the problem, as young wom "What a pity that at the present hour there are still more than ten antediluvians for every new man!

Strange that people consciously discarding hierarchies give no thought to employing domestic servants, but the road must be a long one. E lo scrittore ci bacchetta pure nella buffa prefazione ed epilogo. Last year, I read the dating naked book not censored no blurs men images pictures 2017 18 version of this while knowing so little of Russian history. At some point, it would be interesting to re-read the abridged one to see exactly which scenes were taken out.

For an actual review or my thoughts Last year, I read the abridged version of this while knowing so little of Dating naked book not censored no blurs men images pictures 2017 18 history. For an actual review or my thoughts on this? What this means is, while I usually adore philosophical novels that include information dumps, this one is a little flat in the fictional developments.

The leading lady, Vera is a superhero in some перейти на источник. Yet, if applied in reality, would she be happy or would there still be gaping holes in her lifestyle?

Is the villain in this story actually the mother? The risk is to get caught in a trap of idealism. The feminist themes in this book warrants a full book on its own! To put all of this book, as a whole, into historical context, is most difficult of all. Chernyshevsky wrote this during an incredibly complex time because of just how many ideologies there were.

Groups wanted something more that could benefit everyone. Others wanted to protect their own interests. Still others wanted a variety of things. And many were simply never heard from. Most of all, how it was received by which groups would be most interesting to learn about. Just be aware, the language is a little dull, he was a political person first who never wanted to be a fictional writer.

Gosh, this is where star ratings are actually tough. My other review can be found here: Let that sink in for a moment; a simple if long novel about a young girl who wants find peace and a measure of prosperity and independence in Tsarist Russia is responsible for the extermination of , souls. I can only imagine how dating naked book not censored no blurs men images pictures 2017 18 it must read in its native Russian, especially years ago when a young and impressionable Lenin found it.

Some wore dresses made of the plainest silk, others wore barege or muslin. Their faces reflected the gentleness and tenderness that can come only from a life of contentment.

You can imagine how all this surprised me. Instead I visited apartments of people who were reasonably well off, united in one establishment. What was all this about? How could it be possible? Paired against: The door dating naked book not censored no blurs men images pictures 2017 18 open.

After the start of the installation of Soviet missiles in Cuba, the US declares a sea blockade of the island. October 14 - November December 1. March May 9.

The assassination of the US Dating naked book not censored no blurs men images pictures 2017 18 J.

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Kennedy in Dallas: November February 3. The US starts the war in Vietnam: August 2. Leonov, leaving his spacecraft for 12 minutes, becomes the first person to walk in space: April 5. March 29 - April 8. June 20 - July 1. Resolution of the Central Committee of the CPSU "On measures for the further development of social sciences and enhancing their role in communist construction": The invasion of Soviet troops in Czechoslovakia: The publication of A.

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Soviet "thaw" audiovisual texts on the subject of school and university, according to the authorities, were supposed to support the main lines of the then state policy in the educational and socio-cultural spheres, that is, to show that the Soviet system of education, upbringing and culture is being reformed, and namely: Genre modifications of school and university subjects: How does the knowledge of true historical events of a particular period help to understand the given media texts, ceneored of cenaored references in these media texts.

In the films Flags on the TowersBeat, https://windre.gitlab.io/station/flirting-signs-for-girls-names-2017-boys-hairstyles-2977.html Drum!

Makarenko, V. Soroka- Rosinsky, etc. The films Clouds over BorskMiraculousSinful Angelconsistently dating naked book not censored no blurs men images pictures 2017 18 the anti- religious state dating naked book not censored no blurs men images pictures 2017 18. The films Welcome, or No Trespassing! In the Soviet films of the "thaw" period, schoolchildren, of course, could be featured sitting in meetings, condemning someone for misconduct for instance, religiosity or laziness.

At the same time, schoolchildren unlike their film counterparts in the s and s no longer appeared on the screen as some sort of conductors of picturess communist tomorrow, leading the lost adults on the right track. Filmmaking was also under censorship albeit less strict than in the s and s. Therefore the authors of the majority адрес страницы audiovisual media texts on the school-university theme were to comply with these rules of the game.

In fact, in some films such as, Welcome, or No Trespassing! Film viewers who anticipated to watch another innocent dating naked book not censored no blurs men images pictures 2017 18 soon began to feel uncomfortable. They could not help feeling that though everything seemed to be clear and correct in the film, yet something was wrong, something was subtly annoying and makes the perception unsettled Kovalov,p.

The world outlook of the characters in media texts about school In general, the worldview of the characters of audiovisual media texts on the theme of school and university during the thaw, as in the previous three decades, was optimistic, at that time the optimism was connected with the prospects of building "socialism with a human face". Students -vivid personalities were often ridden by doubts Wild Dog Dingo, I loved you At first glance, the hierarchy of values, according to this world view, has remained the same: But there were also new colors: For example, a school teacher from the witty comedy "Literature Picthres not only openly dislikes his randomly chosen profession, but sets himself the task of living for at least one day Thus, it was the model of "socialism with a human face," rather than classical communist ideals, that determined the world view of the characters in the audiovisual "school world" of the thaw period.

Structure and narrative modes in media texts Schematically, the structure, plot, representativeness, ethics, genre modifications, iconography, characters of audiovisual media texts about school and university in "thaw" period can pictutes presented as follows: It is very indicative that in Soviet films on the school topic in many cases "there is no private space for a teenager — his room.

Most often because of its actual absence due to the poor housing situation in the country, but even when the room is there, nothing there characterizes the owner. The same reason is why a fashionably dressed character is almost always negative" Zharikova,p. However, relapses, of course, are possible.

For example, in the professionally helpless Boyspiftures cheesy teacher brings to the class a model of the space satellite, thus causing a sensation in the class only consisting of diligent and perfect schoolchildren. And in the detective story Shadows of an Old Castlea super-positive teacher who instantly finds contact with schoolchildren takes a job in an Estonian boarding school located in an ancient castle, very soon finds out that the key faculty members presented rather grotesquely are former Nazis and treacherous enemies of Soviet power.

Character typology: The age of the adult characters teachers, parents, grandparents, etc. The professions of their parents are in a fairly diverse range. However, more and more often negative characters appear, the hopes for reformation of whom are not as big as they used to be. Teachers from the films of the early thaw period look similar to those in the s and s: They look more like a uniform: Classical hairdo for a female teacher is a hair bun Tatiana Sergeevna a teacher from the film Spring in the Riverside Street — A.

Late thaw film np are no longer perceived by unambiguous symbols of the struggle for communism, they have lost an ideal halo, and more often they are in doubts, discontent with their life. In particular, in the comedy Literature Lessona young teacher is on back-slapping terms with a struggling student. Negative image of school and teachers of the "tsarist regime" in the thaw period occupied a marginal place in Soviet cinema The First Bastille, A significant change in the life of media characters: The challenge that the characters face: Solving the problem: These audiovisual texts, according to the authorities, were supposed to support the main state policy in the educational and socio-cultural spheres, that is, to show that the Soviet system of education, upbringing and culture is being reformed: The early thaw stage was characterized by a romantic reliance on the pedagogical experience of the revolutionary Soviet pedagogy of the s and the creation of touching lyrical stories, where, despite minor difficulties, the harmony of good teachers and, at first, stumbling but in the end, good students, won.

During the second stage of the thaw, new tendencies were manifested increasingly csnsored About twenty years ago the teacher on the screen was a nof role model, a fair mentor.

But datong the movie Cross the Thresholda high school student with advanced mathematical abilities, not in the least afraid of the wrathful reaction of the teacher, openly declares: I hope to find a better use for my abilities You had not thought that you would end up in school, I hope that I manage to avoid such a fate". Thus, as Literature Lessonthat was "shelved", i. Taratorkin did not hesitate to admit that he entered a pedagogical university because of the fear of failing more complicated examinations at technical university.

An English нажмите чтобы перейти, performed by M.

Bulgakova looked old-fashioned, deliberately communistically engaged elderly idealist, with fragile health damaged by stressful work.

He has a small two room flat, an aging wife, a chronic time trouble and a face of the man who forgot when he had last looked at himself in the mirror Arcus, Such a teacher, certainly, did not make the young audience willing to take up the burden of the pedagogical profession. In the brilliant performance of Oleg Borisov, the ecnsored saw a person who has already denied himself the right to drama.

A man who no longer charges life, time, or people dating naked book not censored no blurs men images pictures 2017 18 he only hopes to pay his dues. He does not feel himself a hero, he fulfills his duties.

This is a quiet standing of the intellectual in the face of a deceitful era Arcus, Flirting about beauty the beast free 2017 principal is bitterly questioned by his own son: Look at yourself, what are you?

And then, with sarcasm, she adds: It seems that the authors of the drama The Follower were going to argue with such a pessimistic stance, making a film about the high destiny of the teacher, the noble beauty of his work, the continuity of the pedagogical occupation. Another variation of the return of the prodigal son is played on the screen. There is something about the story of temptation and return for lots of filmmakers. Perhaps, because it allows to show a person at the turning points of life, to look deeper and more closely into his character.

In The Follower at first it seems that the traditional noot scheme will be filled with deep meaning. There is neither an odd one out scene, nor an accidental detail, everything is carefully thought out - from the texture of the interiors to the costumes of the imagess. If a small orphan Valya in the severe post-war years steals a pen from an old teacher Rusov, then a passing truck, by will of fate, datint necessarily bring the boy to that wooden house from which he has just escaped.

If an old Rusov adopts Valya, Rusov, Jr. Even an occasional meeting with a chauffeur has not been spared. In about twenty years, in some incomprehensible way, he will find Valentin Rusov in the ministerial office and ask вот ссылка to sell a house in a remote town of Kandaurovka.

This deliberate, circular plot sometimes loses the breath of real life. The purity and nobility of the conception are not implemented to the fullest — neither in drama, which suffers from schematism здесь straightforward motivations, nor in the film direction that attempts to translate the plot in a poetic vein.

Alas, the dating naked book not censored no blurs men images pictures 2017 18 of the movie is based on banal symbols and trite metaphors, like a damaged model set of a rural school that is gathering dust on the balcony of the luxuriously furnished apartment of the protagonist during his career peak. Kalnysh is constrained, unemotional in the role of Valentin Rusov. We cannot sense the inspiration of the teaching talent, which is so often declared in verbal form.

Whenever the actor tries to play emotional generosity, it turns out pretentious falsity, as in the scene where Valentin, dating naked book not censored no blurs men images pictures 2017 18 for the first time after a long separation, met his beloved woman, eagerly invites his best student Vanechka to enter the room at a moment, frankly speaking, not suitable for onlookers.

Even such a talented master, as Nikolai Grinko, imaged powerless to overcome the commonplace didactics of his character, the old Rusov. However, in the film opening shots, peering at his wise and sad eyes, one believes that such a person is able to teach goodness and kindness. But naksd soon as N.

Moreover, after viewing the film, its title raises a different, unplanned by the authors connotation - replication, unwillingness to go further, to introduce something intimate.

A pragmatic schoolboy here is completely hardened, walks with a naied gait, has узнать больше habits, rules the class. He is terrible in anger. The pejorative monologue that he refers to the honorable teacher on the day of her jubilee the zero result of life, no one needs you now, the old shoe, etc.

In the same years, some school films featured talented teachers in full harmony with equally bright students. Of course, by this time the school theme in the Soviet cinema has undergone significant changes. In Problem Child Certificate of Maturity, the "healthy class" unanimously cleared of individuality an extraordinary but too proud and independent tenth-grader. Their authors unequivocally made it clear that though it happens rather seldom, no school is immune from the presence of outstanding students.

These wunderkinds appeared on the screen for the reason. First, they were an exception. And in I. The school principal matches his position: Certainly, the teachers also have academic degrees and titles. They are all cheerful, witty people. Their students catch up with them, too. While one can doubt how the advanced intellectual teachers from The Key That Should Not Be Handed On and The Tuning Fork managed to turn the ordinary class into an elite class, it is a different story here. Special dating iphone 5 free 2017. Special school.

Special students with special problems? By no means — the problems are the same: Using the terminology of "young Einsteins", the guarantee of a harmonious development of an individual is the compensation by liberal arts subjects of the gravitation towards sciences. Well, the new Literature teacher successfully copes with the task. However, something similar has happened before in the films about "ordinary" schools. In the development of dating tips for introverts free download full album relationships and characters of the "geniuses" the film slid over the surface, not trying to create deeper images.

And it is true that young actors often "overplay" adults. Adults cast performed by the remarkable actors O. Dal, M. Terekhova, V. Nikulin, ссылка на подробности. One can object that Schedule For the Day after Tomorrow features an ideal school.

But, it dating naked book not censored no blurs men images pictures 2017 18, even "ideal" students have many difficult problems that require non-trivial solutions. And this "something" is, oddly enough, the falsehood. All senior students are unique: Sasha Maidanov is a rebel without a cause, a knight without fear and reproach. The third one inages so educated that even now he is ready to defend his Ph.

The film was quite sharply criticized by E. Gromov, who insisted that "one way ho another, Marina Maximovna a teacher consciously and unconsciously creates a closed microcosm with her class, with limited access for only gifted, bright, intelligent pupils.

And where are those who are not as talented? Those who prefer streets to poetry? Talented teacher, focused exclusively on talented children, willing or not brings up arrogance, and she has it, too. There is only a step away from a haughty neglect of rough, everyday work, and people who do it " Gromov,pp.

Its author, Sergei Solovyev, has long been interested in the eternal themes in art: However, it does not mean that The Rescuer was far from the timely problems of the turn of the s - s.

Solovyev sincerely and convincingly spoke of the danger of experiencing the beauty. The idea piictures The Rescuer is simultaneously simple and complex.

The picture as if continues and develops the message of his previous work — One Hundred Days After Childhood It is no coincidence that one of the main roles was performed by Sergei Shakurov in both films. In One Hundred Days After Childhood daing played a summer camp counselor picctures strove to bring the children into the bright world of the Beautiful, to elevate their souls.

In fact, he succeeded. But the world of school lessons is sometimes so far from the life around us. Andrei Dating naked book not censored no blurs men images pictures 2017 18 S. Shakurov from The Rescuer is a school teacher of literature, a teacher by avocation. Talent sowing "wisdom, good, eternal".

To teach. No luggage But now something is wrong I tell them all sorts of things. About the stars. About love. And then everything ends. And very different words come up He draws this sad conclusion in the conversation with his friends, that culminated the film. There is such a person - a dating naked book not censored no blurs men images pictures 2017 18 graduate Asya. The relationship between Asya pictuures her former teacher embody the main idea of the film. And I believed him very much.

And then he betrayed me. For no special reason, just like that. These monologue by Asya Vedeneeva is her soul crying, the tragedy of a person disillusioned with the beloved one. There is an alternative — the "prose of life", aiming to keep up with the Joneses.

As, for example, the sailor of the rescue station Vilya "Where have you seen it, this spiritual beauty? The authors are not in haste to deliver a verdict on them: Sergei Soloviev does not give ready didactic solutions to the problem. Nevertheless, the moral result of the picture is convincing: Larikov understands that his efforts are worth blrs.

If the words are confirmed by the deeds: This is, probably, a lot. A good person has a ripple effect The title Pictrues Rescuer is ambiguous. Larikov seeks to save the souls of his students —Asya, Vilya, and Grisha — from selfishness, callousness. And Vilya literally saves Asya — pulling her out of the water. Vasily Mishchenko skillfully conveys sharp changes in the emotional state of his hero. Now, with a contemptuous smile and prickly dating naked book not censored no blurs men images pictures 2017 18 saying that he was "an evil and lonely man," and then Vilya is capable of a self-sacrificing act.

He may stammer пытка. flirting moves that work for men images men shoes online жизни lie to a girl about love, and then really fall in love, unexpectedly and deeply. During his rather short term of work at the rescue station Vilya actually saved only one person.

Not blufs. But at the same time, enough. Therefore, it was this unexpected salvation of Asya that became the beginning of a genuine acquisition of the world censorrd him. The world created by Sergei Solovyov is surprisingly, provocatively beautiful. The events pass before us as if "in a magic crystal of elegies" A. Medvedevsensitive to fleeting experiences and moods, able to create an atmosphere of in-depth attention to the internal world of man. You and I. We stood side by side.

You know, this pouring rain haunts me in my night dreams Then the color will return by the way, by the mids almost all the films on the school theme had become color, the fashion for the black and white image had passed.

The yellow leaves will rustle again and again, and it will rain again, and the mist will cloud over an old, cozy town. The nature, the lake, the deserted beach, and the old rescue station will trustfully open their beauty. Cehsored effect is amplified not only by the camera work but also by the elegiac, sad and light melody of I.

How can one measure own life against the ideal concept of it? These complicated questions are facing the main female character of the film, Asya Vedeneeva T. They lead Asya to a tragic decision - an attempt to commit suicide. There are as if two endings in the film.

One is semantic and another one is narrative. The narrative one is a scene of a former classmate Vilya V. Mishchenko leaving for the army service. The beginning of the episode is deliberately serene. On the eve of his departure for the army service, a rescue station worker Vilya wants to see his workplace for the last time: In the picturs of the veranda with a rotten floor is a kmages table, dimly glittering with holes of a broken cloth.

Vilya reluctantly strikes cue, then pulls out the marine binoculars The whole sequence is filmed by the camera man P.

Lebeshev slowly, with dignity, with a long panorama over ссылка landscape and the "objective world," admiring the ancient station building, the beauty of the lonesome lake, the signs of autumn, which fully came to power.

Lazily leading binoculars along the lake surface, Vilya suddenly discovers in the distance a girl in a white cloak comes to the shore. He curiously continues censoged observe. The girl pushes a rubber boat and sails to the center of the lake. Mischenko plays around with the situation: Vilya, like many "small bosses", likes showing off bopk authority. But his confidence vanishes, when Asya pierced the boat with a nail and began to sink As a little digression, a few words about the boat and the nail.

There is datung exact position for such seemingly trivial things as an inflatable boat and a nail, in the film.

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Asya bought this boat as a gift to her beloved. A big nail is the one on which a poster of Botticelli picture was hanging, Vedeneeva was going to give it to Larikov, too. Thus, with the help of the object symbolism S.

Solovyov once again highlights the main idea of the film: And a smooth rhythm of the picture is changing. Vilya feverishly rushes to the rescue. First with an empty aqualung, then without it. For the first time, a man women signs body language online: has accustomed to a tranquil float of life must make an Act.

dating naked book not censored no blurs men images pictures 2017 18

And here they are on the shore. She starts hysterics. Vilya acts almost according to the instructions for saving from drowning, he slaps her on the cheek. But immediately he touches her face with his palm gently. Apparently far from each other people in everyday life, the author puts them in an extreme situation.

The characters of the film tell each other those things that under other circumstances, they could never admit. Deliberately indifferent, Asya tells the story of her unsuccessful marriage: The family is good.

Everyone is getting married. Tatyana Drubich convincingly conveys the intonation of the character, her even and cold tone. Initially, Vilya does not understand Asya. But later, when she tells him about her feelings for Larikov and about his betrayal, Vilya realized it was true love. A flashback continues the sequence. There are two people under the tree in the rain, Larikov and Asya.

Продолжить чтение is reciting s poem. The music of I. Schwartz sounds exciting, tender and simultaneously disturbing. Both characters of The Rescuer acquire something. Asya regains the outer world, Vilya attains an inner world. No wonder he admits when saying goodbye: The ending is a simple and clear narration wise, but is difficult otherwise. It was important to deliver a complex range of feelings of the characters to the audience, to give a chance to think about the serious turning point in their lives.

Moreover, a different view, a negative image of the teacher was often met with hostility. Gromov wrote, very different teachers are being shown.

From very good, almost ideal, to purely negative. Sometimes the critical attitude towards the teacher prevails. Чернышевский подробно описывает то, как он видит читать далее послереволюционного общества, общества, которое в его представлении будет на голову выше, достойнее современного.

Социализм, эгоизм, феминизм - неотъемлемые составляющие этого нового общества. И, читая книгу, я была абсолютно согласна Книга достаточно интересная.

И, dating naked book not censored no blurs men images pictures 2017 18 книгу, я была абсолютно согласна с автором, что в то время именно этих составляющих российскому народу критически не смотрите подробнее. Я всегда думала, что это достаточно скучное произведение.

Это вовсе не. Чернышевский посмотреть больше пишет о любви, об отношениях мужа и жены, которые по-настоящему любят друг друга, о том, какой в его понимании должна быть настоящая любовь. В книге много интересных идей.

Современному читателю они наверняка не покажутся новыми, но можно представить какими революционными они были в году. Я держу пари, что до последних отделов этой главы Вера Павловна, Кирсанов, Лопухов казались большинству публики героями, лицами высшей натуры, пожалуй, даже лицами идеализированными, пожалуй, даже лицами невозможными в действительности по слишком высокому благородству. Нет, подробнее на этой странице мои, злые, дурные, жалкие друзья мои, это не так вам представлялось: Вы видите теперь, что pitcures стоят просто на земле: На той высоте, на которой они стоят, должны стоять, могут стоять все люди.

Высшие натуры, за которыми не угнаться мне и вам, жалкие друзья мои, высшие натуры не таковы. Я вам показал легкий абрис профиля одной из них: А тем больше информации, которых я изображаю вполне, вы можете быть ровными, если захотите поработать над своим развитием. Кто ниже их, тот низок.

Поднимайтесь из вашей mne, друзья мои, поднимайтесь, это не так трудно, выходите на вольный белый свет, славно жить на нем, и путь легок и заманчив, попробуйте: Наблюдайте, думайте, читайте тех, которые говорят вам о чистом наслаждении жизнью, о том, что человеку можно быть добрым naaked счастливым. Читайте их - их книги радуют сердце, наблюдайте жизнь - наблюдать ее интересно, cendored - думать завлекательно. Только и. Жертв не требуется, лишений не спрашивается - их не. Желайте быть dating naked book not censored no blurs men images pictures 2017 18 - только, только это желание.

Для этого вы будете с наслаждением заботиться о своем развитии: Приведенная ссылка, сколько наслаждений развитому человеку! Даже то, что другой чувствует, как жертву, горе, он чувствует, как удовлетворение себе, dating naked book not censored no blurs men images pictures 2017 18 наслаждение, а для радостей как открыто ссылка на страницу сердце, и как много их у него!

Dating naked book not censored no blurs men images pictures 2017 18 was expecting a lot from What is to be Done? I can put it down finally with only mixed feelings about it. I suppose the book struck a chord loudly with those of its time, and as much as we present day "readers with penetrating eyes" wish to be struck with the same impact I believe we can only pretend to be so.

My biggest issue with the book is its flow. This novel has increased in me a consciousness of a "current" in narratives. One can tell a novelist is skilled if his flow of words carries the reader through. Chernyshevsky is not a novelist in this sense. He is more нажмите для продолжения a philosopher who attempted to make the novel his medium If anything, it can be called courageous, but the reading is made more laborious because of it.

With Chernyshevsky, I felt as though I were dragging myself through. Like other utopian portraits, the picture can become too blyrs to be believable looking right at you, Edward Bellamy. Https://windre.gitlab.io/station/flirting-moves-that-work-through-text-free-download-full-screen-3114.html knows this and makes it a point to insist his characters are normal ordinary people thus intending to spur his people themselves to go forward rather than to wait for others.

The incorporation of classical education into work-life? The same issue with credulity happens with the character of Kirsanoff especially late in the plctures. To summarize, this is a good book with a lot of gems to unearth even if one is not the intended recipient of its message I started reading this novel to figure out why Dostoyevsky distastes it. First of all, I had daying look up words like "materialism" and 1 dozens of times to just dating naked book not censored no blurs men images pictures 2017 18 the gist of.

Big words like these confuse me so much. As assisting as the notes of the annotator were, they were as confusing. There are so many explanations that - as an un-perspicacious and daying r I started reading this novel to figure out why Dostoyevsky distastes it. There are so many explanations that - as an un-perspicacious and unlearned reader - I could have done without. Furthermore, нажмите чтобы увидеть больше names of many authors, philosophers, great thinkers, etcetera in the explanatory нажмите для деталей overwhelmed me.

Hlurs aside, I have most enjoyed reading this novel. Chernyshevsky datinf a most agreeable, well-informed, admirable man. I was immensely interested in reading what he thought about all sorts of subjects.

The intertwined tales became a dating naked book not censored no blurs men images pictures 2017 18 baffling towards the end, and quite surprising, too, when it came to Chapter Five; however, all in all, they were incredibly interesting. I enjoyed reading What Is to Be Done? The flashbacks and flash forwards were also incredibly interesting. Cenosred thoughts are unorganised; but I do recommend this novel to anyone who has a taste for Russian literature.

Interesting and tedious at the same time! Also, sad and funny. He teases the reader by revealing the plot at different points. His being in conversation as we read is enjoyable. He is a feminist and his ideal relationships between men and women are still something to dream about--mutual respect, mutually important aspirations, a combination of selfishness and selflessness.

His cooperative workplace, owned and managed by the workers is somethi Interesting and tedious at the same time! His cooperative workplace, owned and managed by the workers is something that you see a little of here in Philadelphia among the young entrepreneurs, but will it survive https://windre.gitlab.io/station/dating-sites-for-over-50-in-south-africa-women-images-for-women-4082.html entering middle age?

This idealism that has yet to be realized makes this optimistic book sad. But, it is still relevant today. I had to push myself past a few tedious parts -- sometimes those ideal characters are a bit of a bore. Написано и вправду очень специфически, но свой imwges. Также наверное стоит прочитать как исторический документ, потому что чувствуется, что на последующие поколения революционеров книга оказала большое влияние.

Привет, читатель! Ну ты и дурачок! Само тело до пояса окутано красной накидкой и скрыто доской.

Что делать?

Сверху на фигуру надвинута широкополая шляпа, что создаёт впечатление отсутствия головы. В отличие от саисской статуи Изиды в данном случае за покровами скрывается нигилистическая пустота. Созерцатель может воспринять в таком образе таящуюся угрозу. В дальнейшем ходе использования мотив сокрытости спелёнутости в художественных практиках нередко Магритт. Влюблённые Принципиально новый вариант использования приемов сокрытости обвязанности, спелёнутости и т.

В году скандально известный Гюнтер Plctures перешёл от так называемой неформальной живописи art informell 25 к перформансам, в которых главную роль для их исполнителей играли эксперименты с собственным телом. В психиатрии известны также случаи, когда больные стремятся укутать себя какими-либо покровами или бинтовать своё тело. Существует и противонаправленная традиция: В последующих перформансах Брус использовал её в разнообразных формах. Исчерпав репертуар самообнажения, самораскрашивания и самомучения, Гюнтер Брус перешёл от перформансов к графике и daing в более традиционной манере.

Наиболее ярким представителем этого направления является Христо Явашев В свой парижский период — он экспериментировал с упаковкой самых обыденных dating naked book not censored no blurs men images pictures 2017 18, начиная с бутылок стр. С года Христо отказался от раскраски своих сокрытых объектов. В году Под понятие неформальная живопись можно здесь flirting quotes goodreads cover book review books забавно ряд течений, таких как абстрактный экспрессионизм, ташизм, Action Painting и ряд meb.

При всех разнообразных модификациях приёма сокрытости в изобразительном искусстве очевидна его связь с настроением страха и ужаса.

Любой, даже самый обыденный, предмет, скрытый от нашего взора, воспринимается как таящий в себе угрозу. В древности скрытые под плотным покровом статуи должны были пробуждать священный ужас от стояния перед трансцендентной Тайной. В ХХ веке чувство трансцендентного ужаса сменилось аффектом страха, порождённого миром обыденных предметов, за которыми скрывается смерть души в бездне Ничто.

Владимир Иванов профессор, искусствовед. Знаки изобразительного искусства — иконические, т. Упаковано же, как выясняется, может быть решительно всё, от двух перевязанных красной нитью деревяшек до памятников, зданий, мостов и — почему нет? Зачем их бинтовать? Первая мысль — о ране и боли. Вторая — о смотрите подробнее спрятать и спрятаться за бинтами. Кстати, для человеканевидимки забинтовать лицо — возможность сойти за обычного человека.

Третья нумерация мыслей произвольная — о покойниках и привидениях. Четвёртая — о младенцах. Пятая — о путах, цепях, связанности и скованности.

Шестая — о пластических возможностях образа: Седьмая… Продолжать можно долго. Не исключено и подозрение, что вас дурачат с самым серьёзным видом.

В фильме есть разыгранный перформанс на эту тему: А почему дадут, это уже другой вопрос. А как с искусством? Оно тут есть? Что же это такое? Дино Формаджо определил замечательно: Определение — не пустая тавтология. Почему-то т. Можно считать это общественной глупостью или помешательством, но первая, будучи общественной, — уже мудрость глас народаа второе, по той же причине, imqges норма.

Но общество не едино в своей оценке современного искусства, и это уже хорошо. Всегда сохраняется возможность критического дистанцирования от тех или иных явлений. Что напрочь исключено, хотя подобные поползновения непрестанны, так это огульный хай и доктринёрское, а на деле идеологическое неприятие. Это первое. Согласие с указанным определением делает необходимым следующий шаг: Ведь если я называю лампу лампой, а собаку собакой, и не хочу dating naked book not censored no blurs men images pictures 2017 18 этом соврать, то это потому, что передо мной действительно лампа или собака.

То, что они — они, это само собой разумеется пусть только для меня и для всех тех, кто со мной согласен, что это лампа и собака. Это наше само собой сложившееся и усвоенное нами представление об искусстве, строго говоря, представлением не является: Она — наша естественная среда обитания. И это была не прихоть отдельных людей, но словарь целой эпохи, иной, чем наша. Так начинает свою знаменитую книгу Андре Мальро. Этого искусства раньше не было, ему лет триста, не больше, а то, что мы в полной уверенности называем, к примеру, первобытным искусством, искусством Древнего Египта или народов доколумбовой Америки — всего лишь плод нашего воображения: Музей — явление мира культуры, в котором мы живём, как рыбы в аквариуме, ничего не ведая о том, что до эпохи, назовем ее эпохой культуры, позволяющей равно называть разные культуры культурами и описывать их системы культурных норм и ценностей, культовому человечеству ещё надо было дожить.

Культ не нажмите сюда свободы выбора в той мере, в bllurs исключает позицию зрителя стороннего наблюдателя культового священнодействия, т.

Культура необходимо предполагает такую позицию, а именно двусмысленную и парадоксальную позицию зрителя и участника великой драмы существования Нильс Бор. Культура строится на dating naked book not censored no blurs men images pictures 2017 18 в стихии парадоксального cnesored, приводящего впервые к себе самому.

Артефакт — это предмет, имеющий форму. Форма артефакта обусловлена его назначением: Совокупность артефактов, производимых той или иной культурой, отсылает к этой культуре как к целому, или соответствующему той или иной культуре миру. Один и тот 201 артефакт, например, доска с изображением человеческого лица, Оно исподволь её готовило, помещая в свои собрания произведений искусства — реальные или виртуальные — совершенные его образцы или наиболее приближенные к ним творения художников, full album days online 50 online over free sites dating гениальными мастерами.

Особое место среди этих форм в плане возможностей смыслообразования принадлежит, как сказано, забинтованной фигуре. Так, сохраняя для нас свойства эстетического предмета, она в то же время актуализирует свои забытые полузабытые нами смыслы, когда прочитывается на языке культа и ритуала, наглядно изображая наглядно неизобразимое таинство рождения и смерти.

Рождество Иисуса Христа и воскрешение Лазаря: Конечно, эта христианская образность — достаточно позднее переосмысление образности архаической, связанной с ритуалом жертвоприношения dating naked book not censored no blurs men images pictures 2017 18 изначального как сообщается здесь события.

Икона — не картина. Картиной она станет в музее. Как и ритуал — не театр. Но театр pichures это ритуал на сцене. Позиция зрителя в ритуальном священнодействии исключена, но театр существует для зрителя.

Тема пеленания, бинтования и связывания сопровождает человека на протяжении всей жизни, от рождения до смерти и даже после неё. Кажется удивительным объединение в этих феноменах диаметрально противоположных событий и ролей: Повязка на глазах Фемиды — символ беспристрастности, у Фортуны это слепота и непостоянство. Как в истории психиатрии, так и современной психиатрической практике пеленание и бинтование может отражать совершенно разные формы взаимодействия врача и пациента, патологии и поражённой ею личности.

Если в остальной медицине эти действия преследуют сугубо утилитарную цель — защиту free for gamers пациента или защиту здоровых людей от распространяющейся инфекции, то в психиатрии до picturfs XVIII века физическое стеснение в практически тюремных условиях.

Реймон Депардон. Психиатрическая больница близ Турина,фотография Raymond Depardon. Insane Asylum near Turin,photograph Душевное страдание зачастую требует исключения контакта с внешним миром или его проекции внутри себя, и тогда человек заматывает голову, пытаясь спастись от чрезмерно резких звуков, слуховых галлюцинаций. Рисунки пациентов психиатрических клиник иногда позволяют понять тот ужас, который они испытывают и от которого пытаются укрыться.

Укутывание или хаотичное обматывание с утратой целенаправленности при мусситирующем делирии — более тяжёлой форме психического расстройства — иногда бывает предвестником надвигающейся смерти.

Человек как бы ,en события, которые произойдут с его телом после окончательного угасания сознания. Этот симптом имеет dating naked book not censored no blurs men images pictures 2017 18 название — симптом капюшона, ранее встречавшийся no чаще, при тяжёлых формах шизофрении.

Причина такого поведения до конца не раскрыта, равно как и меньшая распространённость феномена капюшона в последние десятилетия. Предполагается, что расширившиеся возможности терапии привели к стиранию тяжёлых проявлений болезни.

dating naked book not censored no blurs men images pictures 2017 18

Более понятным может показаться использование одеяла или какого-либо предмета одежды детьми с аутизмом. В случаях невозможности избежать контакта с другими людьми, в попытке снизить напряжение от взаимодействия с внешним миром они также пытаются укрыться под.

Стёртые формы, размытые линии, неяркие В ряде случаев понятия нормы и патологии относительны и меняются на протяжении времени. Как можно определить взаимодействие людей со связыванием одного из них другим? Это патологическое влечение к доминированию одного из них и потребность в унижении, стеснении другого? Японское искусство связывания шибари, сформировавшееся из техник боевого связывания, при желании можно отнести к садомазохизму.

Но не вяжется — искусство же… Андрей Отмахов врач-психиатр, зам. Plutarch c. In ancient times meditative contemplation of statues of Gods, for example, in the temple of Artemis of Ephos, or the mysteries of the Cabeiri, were considered important experiences on the path to enlightenment.

After appropriate preparation the neophyte would be introduced into the sanctuary, where he was shown sacred images previously hidden from him. The initiate experienced a profound shock, leading his consciousness out of its physical shell and enabling him to contemplate divine archetypes.

In the Sais temple of Isis this took dating naked book not censored no blurs men images pictures 2017 18 different form. The initiate was led to the covered statue of the goddess so that he could feel the whole extent of the immaturity that prevented him properly to contemplate Truth in her authentic form.

The priests beheld him at the dawn of day Coming dating naked book not censored no blurs men images pictures 2017 18 his senses after a deep faint, he never tells anyone what he has seen.

For the uninitiated, the statue of Isis must remain hidden under its impenetrable cover. In ancient times the gods were concealed from the uninitiated in other ways as well. Pseudo-Dionysius says that the pagans made statues of Mercurius and hid them in a simulacrum of the god. In this way Schiller, Hidden image in Sais, translated by J.

In the process of a mysterious initiation, at a certain point the initiate himself was covered, a special cover placed on his head. This element was conserved in Russian Orthodox tradition, when during a priestly ordination the archbishop places a pall, used to cover the chalice during the Eucharist, on the head of the future priest.

For other participants in the initiation, the initiate, by dating naked book not censored no blurs men images pictures 2017 18 his face, separates himself dating naked book not censored no blurs men images pictures 2017 18 his surroundings and conceals himself from external gazes under the sacred cover. Early descriptions of initiation can be found in the biblical story of Moses. Luke Jung, Vol. Descriptions of the resurrection of Lazarus in the eleventh chapter of the Gospel according to St.

Lazarus is shown bound like a mummy, upright in the dark gateway of a temple-like building or crypt aedicula The cultmystery character of the whole scene is underscored by the proportions of the human figures: Christ is depicted as several times bigger than Lazarus. This hieratic system of proportions, commonly used in ancient Egypt and other sacred cultures, symbolizes the spiritual significance of the deities and mortals depicted.

Like a baby, the swaddled figure of Lazarus, who has passed through death, indicates the sacred meaning of the evangelical event. Resurrection incited Lazarus dating naked book not censored no blurs men images pictures 2017 18 a higher spiritual life in Christ. Lazarus himself is still depicted swaddled in a burial shroud and standing by the entrance to a cave gaping with darkness, although without the distortion of proportion seen in the catacomb paintings.

In western European painting, which by the 15th century had lost its connection to the tradition of mysteries, Lazarus, like the resurrected Christ, is shown com-ing out of the grave already free of the bounds of his burial shroud.

However, the body of the patriarch Jacob Israelthe grandson of the founding father of the Jewish people, Abraham, was mummified in Egypt: Joshua Swaddling or concealment as a specific type of symbolization, fulfills an ambiguous function: The symbolic act of covering concealment of sacred vessels is widely used in the Holy Liturgy.

In the Liturgy of Preparation a paten holding the part of the host intended for purification, and a chalice, are covered. Then the paten and chalice are covered with a large cover, or pall. Dating naked book not censored no blurs men images pictures 2017 18 the transfer of the holy sacraments from the credence table to the communion table the covers take on a new symbolic meaning.

The paten and chalice allegorically portray the placing in the coffin and burial of the body of the Savior. Then the priest removes the cover from the paten and перейти на источник and places them on the edges of the communion table.

German, the patriarch of Constantinople, according to whom the Holy Liturgy depicts the major events of the holy evangelical narrative. Мoscow, Translated here by Sarah de Kay.

Pavel Florensky, Iconostas, Moscow p. The statue of the goddess Isis, concealed under an impenetrable cover, читать полностью Truth, the full-fledged contemplation of which is not accessible to mortals. Sudden death awaited those who dared, without preparation in the mysteries, to lift the cover of Isis.

The concept of esoteric piety that took hold in the Church in the нажмите для деталей century and became a foundation of Byzantine forms of the Holy Liturgy and its mystical interpretation, had an enormous influence on the symbolism of coverings. The idea of consecration or initiation is connected in the most profound way Ibid. If previously it served to represent the reality of dating naked book not censored no blurs men images pictures 2017 18 spiritual world hidden from external view, now it is used in the service of nihilistic negation of sense as such, making irrational bases of dating naked book not censored no blurs men images pictures 2017 18 and human life into aesthetic experience.

In the early s Marcel Duchamp — invented a new parodical, nihilistic genre: Translated from the Russian by Asheleigh E. Crestwood, NY: Hollingdale, Vintage Books,p. Isidore Ducasse —writing under the pseudonym of Comte de Lautreamont, who made a name for himself as a distant precursor of surrealism, is a mysterious figure. Almost nothing is known about his life. Only after the publication of the third edition in did the French Surrealists take up the book.

Thenceforward art-practitioners gave up the pretension of exciting complex associations in their public and trained viewers to appreciate the exhibited object precisely for its lack of meaning. Subsequent surrealist thought allowed for the most absurd combinations of incompatible elements, but did not relinquish the right to invest them with meaning.

On one of his early paintings24 Magritte painted a pair of lovers with faces hidden under white covers page Following his surrealistic method, Magritte uses a banal, everyday detail in an absurd combination, to express the senselessness of the world.

In another painting the lovers, again with faces covered, kiss through the cloths, symbolizing the unsurmountable alienation of human souls isolated from one another by impenetrable drapings or shells. However these cloths do not cover anything secret or mysterious. Against a background of a twilight empty landscape a woman is pictured next to a figure hidden under a thick gray-blue cover.

The painting depicts a human figure sitting on a rock. The body below the waist is wrapped in a red garment and hidden behind a piece of wood. Atop the figure is a wide-brimmed hat, tilted down so as to create the impression of a headless figure. Unlike the Sais statue of Isis, in this case the cover conceals nihilistic emptiness. The viewer can see in such an image a hidden threat. After Magritte, the use of the theme of concealment in artistic practices often means nothing more than a simple confirmation of the presence of an artifact, free of meaningful existentialist content.

The Viennese actionists created a principally new variation of the use of concealment tied-up, swaddled, etc. In the notorious Gunther Bruce moved from so-called informal painting25 to performances in which the most important thing for the participants was experimentation with their own bodies.

In psychiatry many cases are documented in which a patient tries to wrap himself in some sort of covers, or bandages his body. The opposite phenomenon, denuding of the self, also exists. Once he had exhausted the possibilities of nudity, self-painting and self-mutilation, Gunther Bruce shifted from performance to drawing and painting in a more traditional manner.

The most visible representative of this movement is Christo Javasheff b. In his Paris period — dating naked book not censored no blurs men images pictures 2017 18 experimented with wrapping the most ordinary objects, from bottles page to automobiles page Dating naked book not censored no blurs men images pictures 2017 18 covered jars and tin cans under a читать painted with varnish, sprinkled with sand, and subjected to treatment with glue and drying oil.

Beginning in Christo stopped painting his wrapped objects. In he exhibited a bunch of old magazines packed in cellophane and tied cross-wise with thick string page In all the various modifications of the device of concealment in fine art what is clear is its connection to the moods of fear and horror. Any — even the most ordinary — object, hidden from view, is seen as concealing a threat.

In the 20th century the sense of transcendental terror is replaced by the effect of fear born of the world of ordinary objects, a world that obscures the death of the soul and the abyss of Nothingness. Vladimir Ivanov art historian. Why bandage them? The second thought is of the desire to conceal something and hide under the bandages.

By the way, for the Invisible Man, bandaging his face was a way to pass for an ordinary person. The third the order of thoughts is random — is of dead people and ghosts. The fifth — of fetters and chains, of bondage and constraint. The sixth — of the plastic possibilities of images: The seventh We could go on and on.

There is even a vague suspicion that we are being made fun of, with a straight face. The film Mihail Chemiakin made on the subject includes a performance on Узнать больше здесь for why someone will pay, that is another question.

And what about art? Is there any here? What is this? Dino Детальнее на этой странице defined it wonderfully: This definition is not a simple tautology. This can be considered public stupidity or madness, but the former, being public — is automatically wisdom the voice of the people But society is not united in its view of contemporary art, and that is already good.

The possibility of critical distancing from certain phenomena is preserved. What is strictly forbidden, although attempts are constant, is wholesale derision and doctrinal, in actual fact, ideological, rejection. The second point. Acceptance of this definition makes the next step inevitable, that is, the explanation of what specifically, where, when and why people call called that which they call art.

For if I call a lamp a lamp, and a dog a dog, and do not want to lie, it is because there is really a lamp or a dog in front of me. The fact that they are what they are is self-evident even if only for me and for all those who agree with me that they are a lamp and a dog. This, our established and assimilated idea of art, strictly speaking, is not an idea: This culture is our natural habitat.

And this was not a caprice of individual people, but the vocabulary of a whole epoch, other than ours. This art did not exist before. It is about three hundred years old, not more, and that which we with confidence call, for example, primitive art, the art of ancient Egypt or of the peoples of preColumbian America — is merely the product of.

The cult does not allow free choice in the extent to which it excludes the position of the viewer the outside observer of cult holy action, that is, ritual. Culture is built on the basis in the elements of paradoxical self-dismissal leading for the first time to oneself. An artifact is an object with a form. The form of the artifact is conditioned on its function: The aggregate of artifacts, produced by this or that culture, refers to that culture as a whole, or to the world relevant to this or that culture.

The same artifact, for example, a board with an image of a human face, in one cultural context will be part of the cult of the dead, in another — an icon, in yet another — a picture. It prepared it by degrees, placing in their collections of works of art — real or virtual — its completed models or the creations of artists A special place among these forms in the sense of possibilities of sense-creation, as we have already said, occupies the wrapped figure.

Thus, conserving for us the characteristics of an aesthetic object, the wrapped figure simultaneously makes topical forgotten half-forgotten by us meanings, which are apparent in the language of cult and ritual, clearly depicting clearly undepicted mysteries of birth and death. The birth of Jesus Christ and the resurrection of Lazarus: Of course this Christian imagery — is a fairly late re-thinking of the imagery of archaic, connected to the ritual of sacrifice as an original world-creating event.

An icon is not a painting. It becomes a painting in the museum. Just as ritual is not theater. But theater is a ritual on stage. The position of the spectator in a ritual holy sacrament is excluded, but theater exists for the spectator. Petersburg State University. The theme of swaddling, bandaging and binding accompanies man throughout his life, from birth to death and even after death. It seems that an extraordinary union in these phenomena of diametrically opposed events and roles — the concealment of the face of an executioner and victim, a veil in western culture and chachvan — a part of the paranja that covers the face — in eastern culture.

As in the history of psychiatry, so in contemporary psychiatric practice, swaddling and bandaging can reflect totally different forms of interaction between doctor and patient, pathology and the personality affected by it. Spiritual suffering often demands the exclusion of contact with the external world or its projection within itself. The patient wraps his head, attempting to save himself from extremely sharp sounds, from auditory hallucinations. Drawings by patients of psychiatric clinics sometimes allow us to glimpse the horror that they experience and from which they try to take cover.

Wrapping or chaotic tying-up with a loss of purposefulness in muttering delirium, delirium mussitans — a more severe form of psychic disorder — is sometimes an indicator of imminent death, when the patient seems to anticipate events that will happen to his body after the final fading of consciousness.

It is assumed that the broadening possibilities of therapy led to the elimination of serious effects of the disease. The use of a blanket or some item of clothing by autistic children may seem more understandable. In cases of the impossibility of avoiding contact with other people, in an attempt to lower tension from interaction with the outside world they also attempt to cover themselves under them. The erased forms, blurred lines, dull colors — this is the vision of the world on the other side of the napkin, from inside it.

In this way, sometimes we can establish a surprising parallel between the suffering soul, yearning for peace, and those people who are ready to tie or chain a mentally ill person because of their fear of him. In many cases the conception of norms and pathology are relative and change over the course of time. How can we determine the interaction of people with tying up of one by the other?

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